It's a Photo. It's a Painting. It's Both!
I have been trying my hand at painting watercolors of photographs I have taken from around the world. This, I have found, has had some benefits:
- As I paint the scene I am immediately taken back to the place, its sights and sounds. The warmth on my face on the Italian coast, that dessert in Paris (yum!), the noises of streets of Shanghai and the contrasting quiet in a temple.
- I can make the scene my own by removing objects that may not add to the scene. "Doh! I didn't notice that garbage can when I snapped the photo!"
- I like looking at these paintings when I walk by them in my home and office.
- I am not location based. I can take 400 photos in a place like Venice and paint various scenes once I am back home. I am not pressed to complete a painting during a short stay.
- The activity is also a pleasant reminder of my Dad who passed away a few years ago. The paints and papers were his. I decided to try my hand at this as a way to keep those memories fresh. I do wish I could ask his advice though as I hack through the medium.
Okay, now click on these to see the paintings that relate to the photos above:
Did you notice the differences? See how good you did by clicking here:
Here is another one. This is a mash-up of a couple of photos where I combined the monks in one photo with a different scene.
So, am I messing with reality? Sure, but I hope I am doing so in a positive endeavor. I was proud to have my first "show" where I exhibited a set of paintings and photos. My Dad would have liked that, huh, Dad?
Comments
Posted By: Barbara (12/16/2006)
Comment: What a wonderful way to combine some of your passions: travel, photography, water color and family. It doesn't surprise me a bit that you are using paint and paper from your Dad.
Posted By: Wallace (12/12/2006)
Comment: Wow! This is great, Tom. I particularly like the one where you put the monks from one picture into another. And your Chinese caligraphy is admirable. :-)
Posted By: Aprille (12/11/2006)
Comment: My brother takes a similar approach with much of his work - except it's not a question of altering reality because he's using pieces to create a new reality. He usually starts with people from photos (usually from the silent movie era) and then figures out the background he wants to put them in, the story he wants to tell.














